![]() ![]() – For the best results, be sure your camera is properly white balanced while filming. In most cases, a simple temp/tint adjustment will suffice. With that said, you may have to further adjust your color after you’ve applied the LUT. – These specific LUTs work best in 5500k or daylight environment. Included in this folder are the following LUTs: I find myself using the -3_Slog2_Ludeman_709_Base.cube 5500k most often. Each LUT represents a different degree of exposure correction, (-1 through -4 stops). I designed these LUTs to help me achieve proper exposure while I’m filming and grading while continuing to maintain a pleasing picture. My primary tests when creating the LUTs were with my Sony PXW-FS5 mk1. Recording LOG first, then applying the REC709 LUT afterwards gives the same overall look as it would into a direct REC709 colour gamut, but without clipping. If you want the best results, I suggest grading beyond the simple application of the LUT.Įach LUT in this pack was created specifically for the Sony S-log2 color profile. These LUTs simply serve as a base or starting point for your grade. I should also note that these LUTs are not a”fix all” for your footage. Our Blackmagic Clean Enhanced Rec709 LUT was designed to not just convert your Log footage to Rec709, but to enhance the colors so they stand out with the. This is our free color transform LUT for Canon footage shot with Technicolor Cinestyle. Your own results may vary depending on your camera make and model of Sony camera. These are simply the LUTs I’ve personally used and perfected over the years. This is why I have created this series of LUTs.īefore I go any further, I should note that I didn’t create these LUTs with the intent to sell them. And herein lies the problem with Sony’s rec709 LUT. You can combat this by using your histogram and exposing to the right, however if you expose to the right while using Sony’s rec709 LUT, you will likely have a blown out image. Shop Courses or Presets Add to Cart Overview Compatibility A natural LUT to help you get the most out of your SLOG3 footage. ![]() Just add to cart - no coupon code needed. A natural LUT to help you get the most out of your SLOG3 footage. Assist” to help you measure your exposure while out in the field. Sony SLOG3 / REC709 LUT By Thomas Kovacik 40.00 USD Buy More & Save Buy any 2 Courses or Presets, save 10. An easy to use Lut for Sony videographers. ![]() The most used Panasonic LUTs are the Nicest 709 and the VariCam V-Log to Rec709. Those are more stylized than they are technical. I’ve found this especially common for people who are trying to use Sony’s rec709 LUT or Sony’s “Disp. When you try and use the official LUTs from Panasonic, they can let you down when it comes to consistency in all environments and various skin tones. Most people know that if you underexpose your camera, you will likely have unwanted noise in your image. I have found it can be tricky getting proper exposure shooting in S-log2 on Sony cameras. These LUTs have a nice warm tone with more accurate shades of green. I took great care when creating the green channel because I always found it unpleasing within Sony’s rec709 LUT. I designed the Sony Base LUT Pack as an alternative to the standard Sony rec709 LUT & color space. ![]()
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